Everybody feels the same quruli rar

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You also have the option to opt-out of these cookies. The fact that almost all of their albums are either bootlegs or grey-area releases complicates things too. Heard the samples, really mediocre stuff. I wish they would go back a bit to that Out Loud sound. Downright confused by the inclusion of Ken Ishii. Many top lists are in the context of wider cultural moods and shifts. Kind of makes me sad. I hate canonization. It is one part of criticism culture can really do without. Dir En Grey is definitely not one of them.

Is folk or new music sic rock? Some people would even say that GS and rock are two different genres in the Japanese context. Maybe visual-kei X is actually an idol subgenre? On the other hand, folkies and new music in general are left out — i.

Yoshida Takurou. This might account for Utada at How about ethnomusic-whatever like The Boom? Hajime Chitose? That is a total misnomer. I fully support the idea of painting out a back story for Japanese rock, but what a total let down.

Some interesting choices none the less. Super late to this conversation, but I just wanted to note that Kawasaki is in fact mistaken about his list being a first. Takarajima did something similar in documented here. While they stop at the top 20, they do offer a list of odd meiban that includes some of the favorites Rallizes, e. Thanks for adding that link.

Next time RSJ make another list, make sure they have someone with real musical taste. Ayumi Hamasaki? What the hell is up with that ranking??

WTF wheres laruku? I must say that the inclusion of Cornelius has let my spirits down. He has always striked me as an opportunist, a fucking loser exploiting earnest cultures with his postmodern aesthetic. Yeah, man. Shibuya-kei is dead. The Stalin brought an incredible melange of prole ethos and rock energy into my life, Moonriders captivate jime — quintessential pop with an eccentric and literate twist — and doubtless inspired Mr Children.

Bunch of poser Japanese twats clearly know less about Japan than me, otherwise Imawano would be 2. Yes, both of them. You could guess it from the cover. With producer Jyoji Sawada on bass guitar, Marcos Fernandes behind drums and female singer-songwriter Seiko Omori supporting him, the recording session was more like an intense chemical reaction than a typical studio marathon.

As if great poets from various generations wrote together for a youth like him. Jiro Miwa on www , Twitter. He majored in architecture, but eventually gave it up. Instead of it, he builds geometric structures of post rock songs with shapely phrases and somehow friendly and dreamy sound.

This might be the strongest answer to the trend of new Japanese city-pop. After Yasuyuki left the group to pursue solo career, Takaki reformed the band with several musicians joining him in studio and on stage.

That change gave Kirinji a new sound — rich and colourful. Kirinji on www , Facebook. Mononkuru on www , YouTube. Although he was initilly inspired by Mr. Children Japanese pop-rock band or Talking Heads, his interests and his music continue to evolve. Hajime Sekiguchi on Tumblr , Twitter , Soundcloud.

Yet despite orchestral arrangements, these are still above all songs — full of beautiful melodies and joyful energy. He mentioned innovative composers of the past such as Rentaro Taki and Akira Ifukube who have managed to blend Japanese sound with foreign music. And it all merged with traditional folk into the sound of YanakaNoi. Eiko Ishibashi on www , Twitter. Delicate sounds of somehow slowed-down, sometimes prepared acoustic guitar are certainly the favourite choice of Daizo Kato, the composer, multi-instrumentalist and producer behind the project Machinone.

Based in Atsugi near Tokyo, Machinone he continues to develop his music that is as hard to categorize as bitter-sweet mood it creates. Machinone on Blogspot , Soundcloud , www. In this ordinary format, I search for a new approach to various sounds.

I prefer to update our music constantly than start from nothing. We are happy if somebody finds something new in our sounds. Lyrically, Gotch strikes a balance between resignation and hope, teaching us to see present events from perspective.

He mixed his album in Chicago.