Smokin at the half note rar

Presumably, he is responsible for the percussion heard on both titles. Candido Camero de Guerra per on f. Track g is performed by guitar, piano, bass and drums only. No conga is audible on any of the tracks. Percussion is heard on track f, presumably supplied by Candido. Except for a brief drum solo on track c, Wes Montgomery is the only soloist on all tracks. He was probably leader of the trio. George Devens vib on b ; Ray Barretto cng on d.

George Devens vib on a, e ; Ray Barretto cng on b, d-e. The string and probably vibraphone parts as well were recorded on May 18, and dubbed in. Thanks to Laurent Morin. Jack Jennings vib on a , mar on c , per on b, e ; Ray Barretto bo on c , cng on d-e. Ray Barretto bo on c , cng on a-b. Ray Barretto cng on a-c, f , bel on d. It differs from track a in that it is taken at a somewhat slower tempo and Smith takes a shorter solo. This could have been a mental lapse or an editing error.

Nonetheless, track a is the master take. Strings are out on track b. Np strings are heard on either track. Most sources indicate the drummer is Grady Tate and do not list a conga player. It does not sound like Tate and a conga is definitely audible. The personnel shown here comes from this source. The timings shown include announcements and applause. Wes Montgomery g on a-b, d ; Liza Minnelli v on c-d. Herb Alpert is the host. Personnel are not provided.

The DVD issue gives the date as July The date shown is the original broadcast date. More information can be found here. Tracks b-d are brief performances stitched together as a medley. Track a can be viewed here: Tracks b-d can be viewed here:. Woodwinds, percussion and vibraphone are out on track b.

Percussion is heard only on track c. Wes Montgomery is the only soloist on all the issued tracks. The complete interview can be found at JazzWax. The timings shown reflect music only.

These recordings pose some problems for the discographer that I have tried my best to address in an understandable fashion: Many of the tracks fade out leading to variable timings.

Many of the tracks are edited on some, but not all issues. Personnel are often collective over more than one session and inaccurate in many sources. Certain small group tracks from this period were issued with and without dubbed in, unidentified strings and horns.

As you will see, these recordings were reissued MANY times because of their artistic and commercial significance. I have tried my best to include most, but probably not all of the LP and CD albums that continue to be released.

BRIAN Definitive Sp. Lone Hill Sp. SSJ Jpn. Verve Fr. LP 12" 2 — Wes Montgomery: Eulogy. Verve Eng. Verve 45 VK MGM Fr. LP 12" — Great Guitars of Jazz Verve It. Metro Arg. LP 12" — Movin' Wes Verve Jpn. Verve Eu. Verve Bra. Polydor Jpn. Verve CD — Movin' Wes Universal Jpn. Verve Sp. CD — Movin' Wes. Verve Ger. Polygram Jpn. CD — Bumpin' On Sunset LP 12" — Jazz History, Vol. Polydor Ger. Metro Aus. Solos: b - Wes Montgomery g 60 bars 5 choruses c - Wes Montgomery g 80 bars to fadeout.

Solos: a - Wes Montgomery g bars 3 choruses ; Harold Mabern p bars 3 choruses ; Wes Montgomery g bars 2 choruses 16 bar exchanges with Lovelace b - Harold Mabern p 4-bar intro; Wes Montgomery g 64 bars 2 choruses with electronic vibrato; Harold Mabern p 16 bars 0.

VAP Jpn. Efor Films Sp. Gambit Sp. Vestapol Belg. BYG Ger. LP 12" — The Paris Session BYG Jpn. Affinity Eng. Affinity Sp. LP 12" — Wes Montgomery: Impressions Seven Seas Jpn. Jazz Hour Du. Jimco Jpn. Charly Eng. Le Jazz Aus. Recall Eng. Affinity Jpn. Affinity It. Yes To Jazz Port.

LP 12" — Wes Montgomery: Solitude Peerless Mex. Jazz Masterworks It. Charly Eu. P-Vine Records Jpn. Bandstand Jpn. Tokuma Jpn. Jazz Door Ger. CD — Straight, No Chaser Jazz Icons DVD 2. Ronnie Scott's Jazz House Eng.

Candid Eng. Green Line It. Jazzline Ger. King Jpn. Philology It. NDR Ger. Ex Libris Ger. Metro Eu. LP 12" — Jazz Spectrum, Vol. Elvin Jones — Dear John C. The second album by Elvin Jones as sole title rights leader excluding the co-op ensemble that recorded the stunning and essential progressive jazz icon Illumination! In fact, this is one of the very best albums in the career of alto saxophonist Charlie Mariano, who occupies the bulk of lead lines and improvising responsibilities.

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